I think it didn’t have the bite that the other songs had had. But I think it was the lyrics that David objected to. “David really hated the Carole King song,” elaborated Ianthe McGuinn (now known as Dolores Tickner) in an interview with me. The explanations vary a bit, but basically state Crosby found the song too poppy and too sappy. These include producer Gary Usher, road manager Jimmi Seiter, McGuinn’s first wife Ianthe (in her memoir), and, in his bonus interview, Chris Hillman. Several other close associates of Crosby, however, have verified David’s distaste for the number. But his dislike of “Goin’ Back” in particular seemed genuine.Īs an aside, though several historical accounts authenticate this dispute, I couldn’t find a direct quote from Crosby voicing his specific opinion about “Goin’ Back,” though he’s discussed “Triad” and how he felt about its rejection on several occasions. McGuinn and Hillman favored other material, including one song Crosby especially didn’t like, the Gerry Goffin-Carole King composition “Goin’ Back.” For one thing, David felt the group should be emphasizing their own material, and perhaps Crosby’s songs in particular. As is well known, Crosby’s friends Jefferson Airplane recorded it on their fourth album, 1968’s Crown of Creation, though Grace Slick’s made it clear it does not refer to a three-way from her personal experience. The other Byrds didn’t want it on the LP, though the group did record the song, which is now available as a bonus outtake on CD. This came to a head when David wanted to put his controversial song “Triad,” about a menage a trois, on their fifth album, The Notorious Byrd Brothers. Much of the Byrds’ portion of Remember My Name focuses on the circumstances leading to Crosby’s departure from the group. It’s almost as though the filmmakers (and maybe Crosby) wanted to portray the subject in a worse light than he really was/is, whether to heighten the movie’s drama or for another reason. Unusually for a documentary, their comments generally reflect better on both Crosby and themselves than what makes it into the film. Here both of them are able to discuss their relationships with Crosby in more depth. The McGuinn and Hillman interviews in the DVD extras-actually, they are the only interviews featured in the DVD extras-run about six minutes each. The animation seems to fairly accurately depict what happened, but it’s a little strange considering that all three characters were available to talk about it on camera. Much of the coverage of the McGuinn-Hillman-Crosby relationship is relegated to a kind of contrived animation sequence recreating the incident in late 1967 when McGuinn and Hillman drove to Crosby’s house to fire him. The other surviving original Byrd, Chris Hillman, is only interviewed for a few seconds. #Roger mcguinn the byrds movie#In the main movie that played in theaters, Roger McGuinn is only interviewed for a bit.
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